To trace the forests wild, 2021, detail
Photo: Brian Ricks

Fera Moira

This series imagines ecological life in a possible future. Fera is feral, meaning “wild”, and Moira means “fate” (Greek). In this body of work, I am exploring the hopeful possibilities of rewilding- when land is returned to its natural, uncultivated state. To trace the forests wild explores the regenerative possibilities inherent in nature: how leaf litter breaks down and makes new life, how mycelia sprout into perfect circles, and how the forest floor is a wild and magical place. . In Elysium felted mushrooms come to life from a rusty bed frame while the mycelium (in crocheted wool) spreads beneath.

To trace the forests wild, 2021. Site-specific installation at Bonavista Biennale: wool, cotton, linen, natural dyes, glass crystals, fur, taxidermy form, found materials
Photo: Brian Ricks

Elysium, 2018, found crib, wool, silk, lace, snakeskin, mushroom dyes.
Installation at Art in the Open, Charlottetown, PE, 2018
Photo: Sean Landsman

Elysium, installation at Art in the Open, Charlottetown, PE, 2018  Photo: D’Arcy Wilson

Elysium, installation at Art in the Open, Charlottetown, PE, 2018
Photo: D’Arcy Wilson

To trace the forests wild, 2021, detail
Photo: Brian Ricks

To trace the forests wild, 2021, detail
Photo: Brian Ricks

Elysium, installation at UNB, Fredericton, NB, 2020  Photo: Oliver Flecknell

Elysium, installation at UNB, Fredericton, NB, 2020
Photo: Oliver Flecknell

Elysium, installation at UNB, Fredericton, NB, 2020 Photo: Oliver Flecknell

Elysium, installation at UNB, Fredericton, NB, 2020
Photo: Oliver Flecknell