To trace the forests wild, 2021, detail
Photo: Roger Smith
Fera Moira
This series imagines ecological life in a possible future. Fera is feral, meaning “wild”, and Moira means “fate” (Greek). In this body of work, I am exploring the hopeful possibilities of rewilding- when land is returned to its natural, uncultivated state. To trace the forests wild explores the regenerative possibilities inherent in nature: how leaf litter breaks down and makes new life, how mycelia sprout into perfect circles, and how the forest floor is a wild and magical place. . In Elysium felted mushrooms come to life from a rusty bed frame while the mycelium (in crocheted wool) spreads beneath.
To trace the forests wild, 2021. Wool, cotton, linen, natural dyes, glass crystals, fur, taxidermy form, found materials. Installation at Owens Art Gallery.
Photo: Roger Smith
To trace the forests wild, 2021. Site-specific installation at Bonavista Biennale: wool, cotton, linen, natural dyes, glass crystals, fur, taxidermy form, found materials
Photo: Brian Ricks
To trace the forests wild, 2021, detail
Photo: Brian Ricks
To trace the forests wild, 2021, detail
Photo: Brian Ricks
In Exhibit
Bonavista, NL
The Tonic of Wildness: Bonavista Biennale, 2021
Brussels, Belgium
Montoro12 Gallery, Brussels, 2023
Sackville, NB
Art =Work, Owens Art Gallery, 2025
Elysium, 2018. Found crib, wool, silk, lace, snakeskin, mushroom dyes. Installation at Art in the Open, Charlottetown, PEI
Photo: Sean Landsman
Elysium, 2018, detail. Installation at Art in the Open, Charlottetown, PEI
Photo: D’Arcy Wilson
Elysium, 2018, installation at UNB Art Centre
Photo: Oliver Flecknell
In Exhibit
Charlottetown, PEI
Art in the Open, 2018
Fredericton, NB
Attending the Apocalypse, UNB Art Centre, 2020
Guadalajara, México
Habiter le Nord, Museo Cabañas, 2025